{"id":1948,"date":"2025-06-19T15:51:55","date_gmt":"2025-06-19T13:51:55","guid":{"rendered":"https:\/\/pierreemmanuelrousseau.com\/home\/?page_id=1948"},"modified":"2026-02-06T12:06:45","modified_gmt":"2026-02-06T11:06:45","slug":"about","status":"publish","type":"page","link":"https:\/\/pierreemmanuelrousseau.com\/home\/?page_id=1948","title":{"rendered":"About"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1948\" class=\"elementor elementor-1948\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-af35ad0 elementor-section-full_width elementor-section-height-min-height elementor-section-height-default elementor-section-items-middle\" data-id=\"af35ad0\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-35c165c\" data-id=\"35c165c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fe3ce47 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fe3ce47\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e949f6a\" data-id=\"e949f6a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0fe6887 elementor-widget elementor-widget-heading\" data-id=\"0fe6887\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00a9 Nichol\u00e0s Efimtsev<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a301828 elementor-tabs-alignment-stretch elementor-tabs-view-horizontal elementor-widget elementor-widget-tabs\" data-id=\"a301828\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"tabs.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1701\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-1701\" aria-expanded=\"false\">\u00c0 propos<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1702\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1702\" aria-expanded=\"false\">About<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-1701\" aria-expanded=\"false\">\u00c0 propos<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1701\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1701\" tabindex=\"0\" hidden=\"false\"><h4>Pierre-Emmanuel Rousseau est metteur en sc\u00e8ne, sc\u00e9nographe et costumier. Il est n\u00e9 en 1979.<\/h4><h4>Pierre-Emmanuel Rousseau met en sc\u00e8ne <strong><em>Carmen<\/em><\/strong> \u00e0 l&#8217;Op\u00e9ra National d&#8217;Estonie, <strong><em>Tha\u00efs<\/em><\/strong> de Massenet \u00e0 Saint-Etienne, <em><strong>Semiramide<\/strong><\/em> de Rossini \u00e0 Rouen , <em><strong>Rom\u00e9o et Juliette<\/strong> <\/em>de Gounod \u00e0 l&#8217;Op\u00e9ra de Qu\u00e9bec, <em><strong>B\u00e9atrice et B\u00e9n\u00e9dict <\/strong><\/em>de Berlioz \u00e0 Nantes et Rennes<em><strong>, La Rondine<\/strong> <\/em>de Puccini au Teatro Regio di Torino, <em><strong>Tancredi<\/strong><\/em> de Rossini \u00e0 Bienne et Rouen. Parmi ses projets, nous pouvons noter<em><strong> Il Barbiere di Siviglia<\/strong><\/em> \u00e0 Marseille, <em><strong>H\u00e4nsel und Gretel<\/strong> <\/em>d&#8217;Humperdinck \u00e0 l&#8217;Op\u00e9ra National du Rhin,\u00a0 <strong><em>Semiramide<\/em><\/strong> au Teatro Massimo di Palermo, une nouvelle production d&#8217;<em><strong>I Puritani<\/strong><\/em> de Bellini au Teatro Regio de Turin.<\/h4><h4>Les saisons pass\u00e9es, Pierre-Emmanuel Rousseau a sign\u00e9 des nouvelles productions (d\u00e9cors, costumes et mise en sc\u00e8ne) de <em><strong>H\u00e4nsel und Gretel<\/strong><\/em> d&#8217;Humperdinck, \u00e0 l&#8217;Op\u00e9ra National du Rhin (spectacle capt\u00e9 par la t\u00e9l\u00e9vision fran\u00e7aise), <em><strong>Gianni Schicchi<\/strong><\/em> pour le Blackwater Valley Opera Festival, <strong><em>La Clemenza di Tito<\/em><\/strong>, \u00e0 l&#8217;Op\u00e9ra de Rennes et Angers-Nantes Op\u00e9ra,<strong><em> Il Barbiere di Siviglia<\/em><\/strong> \u00e0 l&#8217;Op\u00e9ra National du Rhin, \u00e0 l&#8217;Op\u00e9ra de Saint-Etienne,\u00a0 l&#8217;Op\u00e9ra de Rouen-Normandie (spectacle capt\u00e9 par la t\u00e9l\u00e9vision fran\u00e7aise) au Teatro Regio de Turin <strong><em>Les F\u00e9es du Rhin<\/em><\/strong>\u00a0d&#8217;Offenbach, au Grand Th\u00e9\u00e2tre de Tours et au Theater-Orchester Biel-Solothurn. Il reprend, par ailleurs,\u00a0<strong><em>Le Comte Ory<\/em>\u00a0<\/strong>\u00e0 l&#8217;Op\u00e9ra de Rennes et \u00e0 l&#8217;Op\u00e9ra de Rouen, et il cr\u00e9e une nouvelle production de\u00a0<strong><em>Don Pasquale<\/em>\u00a0<\/strong>pour le Blackwater Valley Opera Festival.\u00a0<\/h4><h4>Pierre-Emmanuel Rousseau a aussi sign\u00e9 les mises en sc\u00e8ne, les d\u00e9cors et les costumes de<em>\u00a0<strong>Il Turco in Italia<\/strong><\/em>\u00a0de Rossini,\u00a0<strong><em>Viva la Mamma<\/em>\u00a0<\/strong>de Donizetti (spectacle repris en 2015 \u00e0 B\u00e2le et Tr\u00e9vise),\u00a0<strong><em>le Comte Ory<\/em><\/strong><em>\u00a0<\/em>de Rossini,\u00a0<strong><em>Don Pasquale<\/em><\/strong> de Donizetti, au Theater Orchester Biel-Solothurn.\u00a0 Il est invit\u00e9 par l\u2019Op\u00e9ra de Chambre de Gen\u00e8ve pour <strong><em>Pomme d\u2019Api \/ Monsieur Choufleuri\u00a0<\/em><\/strong>d\u2019Offenbach et\u00a0<strong><em>Il Re Pastore<\/em>\u00a0<\/strong>de Mozart Avec l&#8217;Orchestre de Chambre de Gen\u00e8ve, il imagine une mise en espace pour<strong>\u00a0<em>Schauspieldirektor\u00a0<\/em><\/strong>de Mozart. Pierre-Emmanuel Rousseau met en sc\u00e8ne<em>\u00a0<strong>Le Pays du Sourire<\/strong><\/em>\u00a0de L\u00e9har au Grand Th\u00e9\u00e2tre de Tours, et\u00a0<strong><em>Don Pasquale<\/em><\/strong>\u00a0au festival de San Sebastian, ainsi qu&#8217;\u00e0 l&#8217;Op\u00e9ra de Metz, et<em>\u00a0<strong>l&#8217;Italienne \u00e0 Alge<\/strong><\/em><strong>r<\/strong>\u00a0au Blackwater Valley Opera Festival.<\/h4><h4>En 2010, Pierre -Emmanuel Rousseau signe la mise en sc\u00e8ne et les costumes de<em>\u00a0<strong>L\u2019Amant jaloux<\/strong><\/em> de Gretry (Op\u00e9ra Royal de Versailles, Op\u00e9ra-Comique), spectacle qui a fait la r\u00e9ouverture de l&#8217;Op\u00e9ra Royal de Versailles.\u00a0<\/h4><h4>En parall\u00e8le de ses activit\u00e9s de metteur en sc\u00e8ne, Pierre-Emmanuel Rousseau donne de nombreuses masterclasses, \u00e0 l&#8217;Atelier Lyrique de l&#8217;Op\u00e9ra de Montr\u00e9al, au Conservatoire de Neuchatel (Suisse), au Conservatorio Benedetto Marcello de Venise, au CRR de Boulogne-Billancourt, \u00e0 l&#8217;Acad\u00e9mie de l&#8217;Ensemble Il Caravaggio&#8230;<\/h4><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1702\" aria-expanded=\"false\">About<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1702\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1702\" tabindex=\"0\" hidden=\"hidden\"><h4 style=\"text-align: left;\">Pierre-Emmanuel Rousseau is stage director, set and costume designer. He was born in 1979.<\/h4><h4>Pierre-Emmanuel Rousseau directs <em><strong>Carmen<\/strong><\/em> in National Opera of Estonia, Massenet&#8217;s <em><strong>Tha\u00efs<\/strong><\/em> in Saint-Etienne, Rossini&#8217;s <b><i>Semiramide\u00a0<\/i><\/b>in Rouen,\u00a0<em><strong>Rom\u00e9o et Juliette<\/strong> <\/em>by Gounod in Op\u00e9ra de Qu\u00e9bec, <em><strong>B\u00e9atrice et B\u00e9n\u00e9dict<\/strong><\/em> by\u00a0Berlioz in Nantes and Rennes<em><strong>, La Rondine<\/strong><\/em> by Puccini in Teatro Regio di Torino, <em><strong>Tancredi<\/strong><\/em> by Rossini in Biel and Rouen. For the future, he will direct\u00a0 <em><strong>Il Barbiere di Siviglia<\/strong><\/em> in Marseille, <em><strong>H\u00e4nsel und Gretel<\/strong> <\/em>by Humperdinck in Op\u00e9ra National du Rhin, <em><strong>Semiramide<\/strong><\/em> at Teatro Massimo di Palermo,\u00a0 a new production of Bellini&#8217;s<em><strong> I Puritani<\/strong><\/em> at Teatro Regio di Torino<\/h4><h4>In past seasons, Pierre-Emmanuel Rousseau has designed several \u00a0new productions (sets, costumes and staging) of\u00a0 <b><i>H\u00e4nsel und Gretel<\/i>,<\/b> at the Op\u00e9ra National du Rhin, as well as\u00a0 <b><i>Gianni Schicchi<\/i><\/b> for the Blackwater Valley Opera Festival, <b><i>La Clemenza di Tito<\/i>,\u00a0<\/b>at the Rennes Opera and Angers-Nantes Op\u00e9ra,\u00a0<b><i>Il Barbiere di Siviglia<\/i><\/b> at the Op\u00e9ra National du Rhin, at the Op\u00e9ra de Saint-Etienne and the Op\u00e9ra de Rouen-Normandie, and Teatro Regio di Torino, <b><i>Les F\u00e9es du Rhin<\/i><\/b>\u00a0by Offenbach, at the Grand Th\u00e9\u00e2tre de Tours and at the Theater-Orchester Biel-Solothurn. He also took over\u00a0<b><i>Le Comte Ory<\/i><\/b>\u00a0in Rennes and Rouen, and he created a new production of\u00a0<b><i>Don Pasquale<\/i><\/b><i>\u00a0<\/i>for the Blackwater Valley Opera Festival.<\/h4><h4>Pierre-Emmanuel Rousseau signed also the productions, sets and costumes for Rossini&#8217;s <b><i>Il Turco in Italia<\/i><\/b>,\u00a0<b><i>Viva la Mamma<\/i><\/b>\u00a0by Donizetti (with a revival in 2015 in Basel and Treviso),<i>\u00a0Le Comte Ory<\/i>\u00a0by Rossini,\u00a0<b><i>Don Pasquale<\/i><\/b> by Donizetti at Theater-Orchester Biel-Solothurn. He is invited by the Geneva Chamber Opera for <b><i>Pomme d&#8217;Api \/ Monsieur Choufleuri<\/i>\u00a0<\/b>by Offenbach and Mozart&#8217;s<i>\u00a0<\/i><b><i>Il Re Pastore<\/i>.<\/b>\u00a0With the Geneva Chamber Orchestra, he imagines a semi-staging for Mozart&#8217;s\u00a0<b><i>Schauspieldirektor<\/i>.<\/b>\u00a0Pierre-Emmanuel Rousseau stages<i>\u00a0<\/i><b><i>Le Pays du Sourire<\/i><\/b><i>\u00a0<\/i>by L\u00e9har at the Grand Th\u00e9\u00e2tre in Tours, and\u00a0<b><i>Don Pasquale<\/i>\u00a0<\/b>at the San Sebastian festival, as well as at the Metz Opera, and <i><strong>Italiana in Algeri<\/strong>\u00a0<\/i>at the Blackwater Valley Opera Festival.<\/h4><h4>In 2010, Pierre-Emmanuel Rousseau makes the direction and the costumes of\u00a0<b><i>L&#8217;Amant Jaloux<\/i><\/b> of Gretry at the Royal Opera of Versailles and at The Op\u00e9ra Comique. This show inaugurated the reopening of the Opera Royal de Versailles. This production was broadcast on Mezzo and France2 and is now available on a DVD.<\/h4><h4 id=\"tw-target-text\" class=\"tw-data-text tw-text-large JgzqYd RES9jf tw-ta\" dir=\"ltr\" data-placeholder=\"Traduction\" aria-label=\"Texte traduit\" data-ved=\"2ahUKEwjl8ovzmqOFAxUABfsDHU1bCykQ3ewLegQIAxAV\"><span class=\"Y2IQFc\" lang=\"en\">Alongside his activities as a director, he gives numerous masterclasses in Atelier Lyrique of Op\u00e9ra de Montreal (Canada), Conservatoire de Neuch\u00e2tel (Switzerland), Conservatorio Benedetto Marcello di Venezia, CRR of Boulogne-Billancourt, and with the academy of the Ensemble Il Caravaggio&#8230;<\/span><\/h4><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u00a9 Nichol\u00e0s Efimtsev \u00c0 propos About \u00c0 propos Pierre-Emmanuel Rousseau est metteur en sc\u00e8ne, sc\u00e9nographe et costumier. Il est n\u00e9 en 1979. Pierre-Emmanuel Rousseau met en sc\u00e8ne Carmen \u00e0 l\u2019Op\u00e9ra National d\u2019Estonie, Tha\u00efs de Massenet \u00e0 Saint-Etienne, Semiramide de Rossini \u00e0 Rouen , Rom\u00e9o et Juliette de Gounod \u00e0 l\u2019Op\u00e9ra de Qu\u00e9bec, B\u00e9atrice et B\u00e9n\u00e9dict [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3449,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"_crdt_document":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-1948","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=\/wp\/v2\/pages\/1948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1948"}],"version-history":[{"count":5,"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=\/wp\/v2\/pages\/1948\/revisions"}],"predecessor-version":[{"id":3474,"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=\/wp\/v2\/pages\/1948\/revisions\/3474"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=\/wp\/v2\/media\/3449"}],"wp:attachment":[{"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierreemmanuelrousseau.com\/home\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}